![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeSgDGR4EJ6KN9CJraxsRQxn3Qj0ps1_-nSPUiq5Pjpt2DF1-_c6M214Sx08eux1ZBO0OiZXU2ssV1IX3qedzFbh2Lx2qzvFrC-A5u7zefUumvzuMUsFeoX1ZN05J3heeF0OGQsKDglQ/s200/DOVE_COLOR_warm.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiqg7VJg_oudVFmmVRoHYV3G4EwG5iRu62kNwMOMIOeNtVVU_EDg94B4DJp7COuoAuG5qQg74mRte5IK1wxRA9W32ix3VGyOXlUc10eV07xFVanaPn9cuSyXq9rA3Tm7X8KSrLBkFd9w/s200/DOVE_COLOR_cool.jpg)
Once my sketch is complete, I do some rough color studies. They don't have to be perfect -- just enough for me to get an idea of the colors that I need to work with.
I consulted a few illustrator friends for a critique, and overwhelmingly everyone liked the cool, blue palette the best. The other one didn't read "holiday" to anyone. This made more sense to me anyway, seeing how I didn't want to use the same palette from the
angel last year.